петък, 26 април 2013 г.
Chris Liebing had his first Residency as a DJ in a small club called "Red Brick" 1991 in Giessen, near Frankfurt. There he was playing all sorts of music from Soul, Hip Hop and Pop to House. In 1993, buying his records at Downtown Records in Giessen, he discovered the more electronic side of music, and one year later, he decided to open up a Techno Club, called "Spinclub".
Already beginning of 1995 the club had to close down and Chris began working for Eye -Q Records in Frankfurt. During that period, he met his friend and partner Andre Walter. Together they started to built up a studio and worked on music. Later that year, the first record on Global Ambition was released. Also together with Tommy Bingel from Downtown Records and Toni Rios, they founded the house Label SOAP.
Various Records and Remixes were released, like Traveller on Harthouse, Noosa Heads and E.H.R. on Soap, Strictly Ryth, and others.
In November 1995, Chris had a chance to play at the OMEN in Frankfurt and shortly after became Resident DJ. About a year later, influenced by his DJ-ing, he created "fine Audio Recordings" together with Under Cover Music Group. Chris gained first worldwide recognition with releases like Audio 07 and Audio 11.
Between 1978 and 1999 he hosted his weekly radioshow on Evosonic Radio. Very much happened then in 1999, Chris played the first time for the U60311 and started his Residency every first Friday of a month with " Es ist Freitagaaabend…!", playing along with his favourite DJ´s and Live Acts from around the world.
He joined the Cocoon Agency in Frankfurt to take care of his growing Booking Schedule and also in that same year, he moved on with his Labelwork and created his own Recordcompany "CLR". From then on the Labels CLR, Clretry, CLAU, Stigmata and Soap were distributed by Prime in England.
Since August 2000 you can hear Chris and Pauli Steinbach in their "Pitch Control" on HR XXL every Thursday night.
In may 2001 he mixed this double CD and started working on his Album for CLR which will hopefully bereleased within the following year.
In 2002 he left Cocoon Booking to manage the Booking Schedule by himself. From now CLR is taking care also of his bookings
Marco Carola is a global ambassador of techno. From Napoli in the south of Italy, Marco was instrumental in the development of the electronic scene in the early 90s, he took the flourishing techno Neapolitan scene to the rest of the world. Over twenty years later and Marco is still one of the most respected artists amongst the techno scene, widely regarded as one of the key factors in driving the genre towards worldwide recognition within electronic music.
As a revered producer and successful label head, Marco has spearheaded imprints such as Design Music, Zenit, Question, One Thousands and Do.Mi.No whilst releasing music on a selection of the world’s finest labels such as Minus, Plus 8 2M and Primate Recordings. In addition to five critically acclaimed albums, including his most recent Play It Loud, Marco has also been responsible for a clutch of seminal mix compilations. In 2006, his mix for legendary London club Fabric’s series was a lesson in sleek, future-facing minimalism. That was followed up by well received compilations for Time Warp in 2009. In 2010 Cocoon label boss Sven Väth asked him to mix the Frankfurt based label’s Party Animals CD alongside Nick Curly, which took Carola's dj taste and skills to new heights.
Famed for his energetic and impressive three-deck style of mixing and long journey set, Marco has remained one of the most in demand DJs on the planet throughout the last two decades. Favoring mammoth eight hour plus sets, Marco is predisposed to a subtle working of the crowd that has made him a favorite among fans from Ibiza to New York, South America and beyond.
четвъртък, 25 април 2013 г.
Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles. http://www.myspace.com/adambeyer
сряда, 24 април 2013 г.
Biography of Loco Dice
Real name / Dice Corleone
Every so often a DJ or producer comes along who inspires the collective imagination.
If you’ve seen Loco Dice perform at his ten-year-long Tribehouse residency in his hometown Düsseldorf, or at DC- 10 in Ibiza (from ’02-’06), you will have clicked to this. Loco Dice is someone, who can puzzle together intangible moods with a direct approach.
Via his DJ sets or his productions on labels like M_nus, Cadenza, Ovum, Four Twenty and Cocoon, he merges perspectives in his delicate sense for sounds and reflective atmospheres, underpinned with solid, physical grooves inspired by the hip hop that was his early sonic stomping ground in the mid- to late ‘90s. There’s something there for the dreamers, as well as for the 9-to-5ers who just want to lose everything in a moment of abandon on the dancefloor.
Don’t think that merging of perspectives is accidental. This Loco Dice, with his mercurial temperament, may let his thoughts run away with him, but he tends to chase those ideas and make them into an artistic reality. His DJ sets, whether at Germany’s biggest rave Timewarp, Cocoon in Ibiza or a beach party in South America, are spontaneous orchestrations fueled by the nuances of a night/venue/crowd. He began a fruitful studio partnership with Martin Buttrich in 2002 leading to tracks like Phatt Dope Shit, MeninaBrasiliera, and Seeing ThroughShadows, and Dice meticulously plans these productions.
It’s a directorial, cinematic outlook, which permeates Dice’s everyday life, and comes not just from the outlandish escapades and scrapes that he has sometimes found himself living out in real life. It also stems from elaborate film scripts imagined as a young Loco Dice on the streets of Flingern in Düsseldorf and the Kerkennah Islands in Tunisia. This continues to be a habit of Loco Dice’s today: to close his eyes for just one minute, and see a whole cornucopia of scenes and atmospheres.
As one manifestation of this, visitors to Düsseldorf were early 2008 able to see an exhibition of photographs taken by Loco Dice & Martin Buttrich during the year they spent in New York City to work on the Loco Dice album. It’s an album that re-imagines the soul of a city, built from careful observations of urban tribes that crisscross and sometimes clash, of minute details and sensory impressions.
Family is important to Loco Dice, as you might have noticed if you’ve seen one of his tattoos, a Chicano-style artwork with the legend “Guadelupe”. His love for music stems from hearing soul and funk in the kitchen, and holidays with his mother to Tunisia, where he absorbed North African and Middle Eastern folk music and occasionally sneaked away to watch his grandfather playing dice at café tables on the street. Family is how he’s always regarded the people close to him, and it’s how he regards subcultures too. As a football player, those who build strong teams of creative people around them inspire him.
This sense of family is what he wants to create with projects like his and Buttrich’s label Desolat, and an artist management agency he run with Tom Preuss called Artist Alife. When you visit the office of Desolat and Artist Alife, you’re struck by the fact that everyone seems to come from a different cultural background. Loco Dice’s experience of Germany is one that includes friends and collaborators, who are of African, Eastern European, Italian or Turkish descent. Loco Dice is interested in all kinds of people and artistic subcultures: he’s proud of people, who bring a creative flair to what they do, informed by lives lived ever so slightly less ordinary.
In that sense, Dice’s innate understanding of people: what they sense, what they feel, what they want to imagine, is a part of what distinguishes him from other DJs. He’s very aware when playing in Ibiza of the multiplicity of nationalities that are gathered there, the morass of different desires to be catered to. His inner film scriptwriter makes him capable of translating sounds and kicking it like a local, whether it’s in Naples or in New York. Loco Dice is similarly capable of inspiring, of creating that heady atmosphere that can only be experienced in a crowd of thousands. This skill of his, first cultivated at DC-10, is also no doubt informed by his experiences touring with big name hip hop artists in the ‘90s.
Mark Spoon used to promise him that at some point Loco Dice would shuffle sideways from his beloved house and hip hop to “come over and be one of us”, one of the techno believers. In a sense, he was right, though Loco Dice never leaves anything behind: he still brings out classics, whether classic techno from Maurizio to Basic Channel or gritty boompty house by DJ Sneak, and he’s still fond of composing music, as linear as it may be, that draws on hip hop song structures and basslines. At the end of the day, as Loco Dice sees it, everything runs in loops, and it’s his job to trace a line, to sketch out the next scenes in this soundtrack.
Even if life tends to be unpredictable, a little chancey, the next move doesn’t have to be a gamble. In fact, Loco Dice shows via his compositions that it can be very well planned. Listen to his music, imagine the cinematic accompaniments, and you’ll understand how something carefully constructed can begin with a flight of fancy, or a roll of the dice.
Located deep within the circuitry of a mechanical alien host known as Maetrik you will find a complex web of synaptic dispersements resembling what could be called a soul. And this soul which drives it's host and manipulates it's every move is finally beginning to emerge. Its name is Maceo Plex. The emergence of such an entity has been the result of a need for feeling, a need for interplanetary funk. We as humans consider this need a feeling, a feeling rooted in emotion, and emotion being the very basis of humanity.
Maceo Plex is on a quest to fullfil his need to inject feeling and funk into the world, and he's already proving to be quite productive. With deep and funky works of audible engineering for the label Crosstown Rebels in the form of a full length album titled "Life Index", a night with Maceo Plex will be one of galactic proportions.
To explain the evolutionary process behind Maceo's existance we must travel back to 1993, to the beginning of his creativity. At the start...Maceo was intrigued by a pair of circular shaped objects designed for holding discs created from vinyl that produced vibrations resulting in sound and music. Soon he began conjuring up mixxes of techno, electro, and house music that quickly gained him popularity within the early 90s rave culture. But in 1997, while Heavily influenced by the sounds of other modern funk theorists such as Model 500, Kenny Larkin, Idjut Boyz, Convextion, etc... Maceo began experimenting with hardware modules containing knobs and keys to form his early musical compositions. Seduced by the sounds of techno & electro, Maceo grew into a technologically advanced being later to be known by various names such as Mariel Ito or Maetrik.
After many years of prolific works on such labels as Treibstoff, Dumb Unit, Cocoon, Audiomatique, Modern Love, Mothership, to name a few...Maceo aka Maetrik travelled the world playing in some of the best clubs such as Rex, Cocoon, Fabric, Womb, etc... Now in 2010 Maceo has begun to strip back some of his robotic body armor known as Maetrik in order to expose a more musical and groove based side the world has not seen yet.
The profound change has taken Maceo Plex from the complex and dark life in America to his current homebase of Valencia, Spain. The sunny and relaxed atmosphere has been quite useful to Maceo in his lengthy inward journey that is very apparent in his music. After a much needed retreat into the funky sounds of Parliament Funkadelic, Moodymann, Atjazz, Isolee, and Luomo, Maceo has finally completed his transormation and is shining brighter than the star Sirius....and his newest musical output reflects his radiation in a variety of beautiful colors. In late 2010, Maceo's single "Vibe Your Love" will finally be released on the very foward thinking label Crosstown Rebels and will include a hefty funk remix treatment by Zev of the Wolf & Lamb clang. Soon following will be the full length debut album aptly titled "Life Index" which chronicles Maceo's life long transformation into the soulful ball of energy he is today.
Once experienced, the album will make it abundantly clear the level of versatility Maceo Plex posesses among his many auditory shells. And the world will understand Maceo's pristine vision of house music from beyond. https://www.facebook.com/MaceoPlex
Seth Troxler is an American born electronic music producer and DJ. History: Seth Troxler was born in Kalamazoo, Michigan but grew up in suburban Detroit. As a child, thanks to godfather S.F. Kapoor, Troxler became aware of house music, as he says in an interview with electronic and dance music Ezine RA: "I started listening to house when I was seven or eight years old." This early exposure to house music seems obvious, since both his mother and his stepfather were involved in the Detroit house music scene. As a teenager, Troxler got a job in the record store Melodies and Memories, working alongside people such as Reggie Harrell, Terrence Parker, and even Theo Parrish. Later on, at the age of 16, Troxler began DJing. three years after graduating from Lake Orion High School, Troxler, together with fellow house music enthusiast Ryan Crosson, moved to Berlin, where he now resides working full-time as a producer and DJ. He is well known for his upbeat tuneage and is soon going to be releasing records on a well-known German label with Bill Patrick, Lee Burridge, Little Mike and Catz n Dogz. https://www.facebook.com/sethtroxlerofficial
вторник, 23 април 2013 г.
The best DJs know that Djing is first about being able to read people and then about being able to tap into that human experience and take it on a journey. Sasha has always been noted for being a master at this, and although his style is described as "Progressive Trance" with a good presence of House and break beat elements; his music has always reached beyond those record store titles, thus separating him from his contemporaries. Sasha creates and plays music that gives emotion a chance to speak. It is this universal appeal that he has tapped into that has established his strong fanbase around the globe.
This ability to capture sounds on a universal level was most recently called upon when he was asked to write all the music for Sony Playstation¹s biggest game release of 1999, "Wipeout 3". Sasha wrote 5 original tracks to soundscape the game. "Wipeout 3" won not only the best racing game award, but best game of the whole show.
His special touch has also recently been called upon by The Chemical Brothers, who singled him out as the only artist asked to remix a track ("Out Of Control") from their new album. "I just dubbed it out to a style like I would play, the elements and sounds that the Chems used were so good that I didn't want to change them at all", Sasha reports on making the mix. Sasha's resume of chart topping remixes also earned him a request from Madonna in 1998 when he was asked to remix "Ray Of Light" and "Substitute For Love/ Drowned World".
Do not be mistaken, this kind of recognition does not happen overnight. Born and raised in a small town in Wales, Sasha was exposed to Motown records when he was just a baby and it was in the home that his talent for playing the piano was developed. His first exposure to house music was at Manchester's Hacienda; just as dance music exploded into the summer of love. This impact encouraged his move from Wales to Manchester. His first exploration into Djing was when a DJ in a local pub announced he was looking for people to play club dates. Sasha volunteered and now says that he "had about 30 records and basically just blagged it".
After honing his deck technique, Sasha's first big break came when he was offered a residency at Stokes legendary club Shelly¹s. When all the other DJ's were playing US House, Sasha's style was much more uplifting, and he encapsulated clubbers with his mixture of piano led Italian House whilst playing acapella tracks over the top. This combination alongside a wide variety of anthems kept dancefloors full and elevated Sasha to hero status.
Shelly¹s was the launch pad for the residency at Renaissance, where Sasha created his niche and helped forge a new style in UK house music. At Renaissance two major things happened; Sasha mixed the first ever UK DJ mix album and he met John Digweed which cemented the partnership known as "Northern Exposure". Over the past couple of years, Sasha and John have played together on five continents, have mixed 3 "Northern Exposure" albums which have sold to over 1 million people worldwide.
This special brother like relationship that Sasha and Digweed have on the decks, is what landed them the monthly residency at New York¹s "Twilo", following in the footsteps of Vasquez and Tenaglia. This residency reached cult status in New York, until the closing of Twilo in 2001.
Although Sasha has clearly reached a celebrity status, it¹s his generous personality, his love for his peers and of course his completely candid humour that has enabled him to maintain such a likeable high profile in the often-fickle world of club culture. Always one to share what comes his way, Sasha invited long time friend and collaborator BT to take part in what he called "one of the most amazing musical experiences in my life". He is referring to his experience out at Peter Gabrielle¹s Real World studio in 1998 where Sasha explains in a mixer article, "we were in there for a week and were just going to do one track (during Real World¹s annual recording week where artists from all over the world are invited to Bath to record at the famous studios). "There were so many talented musicians around and the vibe down there was incredible. People were walking in, hitting things, strumming things, and slapping their goats! There were mad African people everywhere. We ended up recording five tracks and finishing four".
Since then of course, Sasha has gone from DJ to superstar status in America, where "Sarsha" is a household name for many teenagers and his and John's residency has continued to provide the launchpad for British dance music into New York and beyond. The sound of Twilo: deep, pumping late night .h.o.u.s.e. is encapsulated on 'Communicate', Sasha and John's joint mix album for INCredible. Modern club anthems like Trancesetters 'Roaches' and Trisco's Muzak all blended in the late night, early morning way that New York's clubbers have come know and love.
For Sasha, music is his first love, and what gives him a buzz is being able to share his music with others. From his presence at those all too talked about after hour parties where his special impromptu sets are heard, to his signature always present child like antics that leave people wondering if he has modelled his life after Peter Pan, to his DJ sets at clubs around the world, all lined with the backdrop of his own productions, Sasha leaves trails of memories, melodies and stories wherever he goes. These are the things that have been, and will continue to be remembered and passed on for years. And that is what legends are made of. http://www.djsasha.com/